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Sunday 15 December 2013

Defining Steampunk Interior Design


The first step in understanding steampunk as a form of interior design involves defining the genre. The definition is one that many people understand differently and, perhaps, struggle to pin down to a concrete dictionary-like definition. I think that the struggle to define steampunk is exactly what makes it so great; it is not an aesthetic that has a solid definition, but is a changeable genre that allows for individual interpretation and expression. That being said, there are some particular components that I consider to be important in the definition of steampunk. Please note that my definition is geared towards a focus on the requirements of aesthetic components. Get it? Geared? Hilarious.



(1) Steampunk design should include a mixture of both old and new technology, though the degree to which each item is anachronistic and modern varies greatly.

(2) Steampunk aesthetics in terms of decor are not limited to a specifically Victorian, England past (although it doesn't hurt). There is emphasis, however, on late nineteenth century objects. 

(3) Importance is placed upon the function of an object. How it works and what it is able to do is more important than an object that holds purely aesthetic value. This appeals to both the actual physical function of an object as well as the idea of designing an object that enables an individual to see how it works.

(4) The 'punk' of steampunk is revealed in the anti-establishment view of steampunkers, who may aim to go against mass-produced merchandise by either attaining objects that are rare because of their ages, through the creation of objects from scratch, or through both, in which antiques or modern objects are reworked into new and functioning objects. In this sense, an importance is placed upon the do-it-yourself aspect of steampunk.

(5) In regards to the greater significance of a steampunk lifestle reflected in aesthetics and decor, the genre provides both a means of escapism and a correlation to the formation of one's identity.

(6) Brown helps.




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